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The ears and fingers feel order in the arrangement of the songs long before we ourselves are aware of any logical arrangement of tones or need learn to play scales. Because the player's ear feels more or less along its path, rather than rationalize it, is able to make much progress without any intellectual effort. There comes a time, however, no matter how good he can be, when it reaches the limit of its development and progress easier in the music slows down or stops complete.

Few heard that the players move beyond this point, it is too tedious for a fresh start with the sound of music theory and develop the level attained in the performance with so little effort. Those who learn to play by note carry more or less of this theory along with them as they improve their performance. His game is limited by both developed and intellectual manipulation.

The most efficient way to learn to play an instrument, of course, lies somewhere between the two. Therefore, we must learn to play scales. That is, the player of the ear should be based on the ear, as far as possible, but at the same time, be aware relations that he is hearing and will use their knowledge when the ear fails. What value is this capacity will be apparent to the reader if one takes the trouble understand the system scales.

Tonic

The basis of all the music that the player is likely to be heard in a key and tries to get its effect largely on the relationship of tones to the tonic major or base. You have probably already tried many melodies in different keys. To obtain the same To do this, well worth practicing how to play scales. This should not be continued to a point where it becomes monotonous, but the scales of play is fun and makes progress in learning new songs much faster.

Half-steps

The piano was built in the key of C. That is, if you play all white keys the piano, you are playing the scale of C. It starts at C and play up or down over the next seven tones, which are to recognize the household level. The characteristic scale is greater than half-steps come between 3 and 4 and 7 and 8, where there is no black key. All other steps integer intervals. Thus, the scale C says:

CDEFGABC

1 2 3 4 5 6 7 8

½ 1 / 2

Flats and sharps

When a melody requires that the other notes of the scale, call these colors "accidental." When the tone is low and use the black key on the left, called a flat, and when the pitch rises and uses the black key right, is called a point. Therefore, G # and Ab are the same key. All scales, except C, however, require the use of one or more keys in black. These keys alterations are not considered then, as they belong to the scale, however, if the bo # is deleted, tone is considered an accidental, since it is outside that scale. Now, if play the scale of D, will be implemented:

D EF # D # GABC

Note that the scale of D has two sharps: F # and C #.

Now know how to play scales and can play scales from any note you want. Do not figure it out in stages and steps on average, but confidence in the ear to tell you what the next note be. You will find that the ear quickly develops fine discrimination and is able to determine if the tone of the day, half or whole step. It is very important to let the ear do the work, and only by this procedure are useful scales in your playing by ear.

Learning to play scales is an important step in his training as a music player.

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